Graduate Program: Theatre and Performance Studies
Recent Faculty Publications & Service
Barbara Wallace Grossman
A Spectacle of Suffering: Clara Morris on the American Stage,
Southern Illinois University Press.
"'Musical Theatre Directors," in The Oxford Handbook of the American
Raymond Knapp, Mitchell Morris, and Stacy Wolf (New York: Oxford
University Press, 2011), 281-293.
"Tadeusz Słobodzianek's Our Class: Trauma within the Story Circle"
and "Speaking of the
"One Show Glory" and "Speaking of the Play," Prologue.
"Shards of the Past, Glimpses of the Future" and "Speaking of the
"The Lion King: A Blockbuster Feline on Broadway and Beyond,"
Musical on Stage and Screen: Critical Approaches from Snow White to
Frozen, Ed. George Rodosthenous (forthcoming )
Presidential Appointee National Council of the Arts
Presidential Appointee U.S. Holocaust Memorial Committee
Vice Chair Massachusetts Cultural Council
American Repertory Theatre Board of Advisors
Anti Defamation League's New England Regional Board
"Terrifying Performances: Black-Brown-Queer Borrowings in Loins of
Presents" Journal of Asian American Studies, Vol. 19:3 275-97.
"Snakes on the Dancefloor: Bollywood's Queer Gestures," The Velvet
Light Trap, Vol. 77, 69-
"Queer Genealogies – Remembering the Future," Theatre Topics, Vol.
"LGBTQ Activism in South Asia," The Wiley Blackwell Encyclopedia of
Gender and Sexuality
Studies. John Wiley and Sons Ltd. 1-5.
Review of The Performance of Nationalism by Jisha Menon, Theatre
Journal, Vol. 67:3, 583-4.
"Lessons in Drag: An Interview with LaWhore Vagistan," Theatre
Topics, Vol. 25:3, 285-94.
"Staging Transgender Solidarities at Bangalore's Queer Pride,"
Quarterly, Vol. 1: 4, 517-22.
Association for Theatre in Higher Education Vice President for
Association for Theatre in Higher Education LGBTQ Conference Planner
"Memory, Transitional Justice, and Theatre in Post Dictatorship
Argentina", Southern Illinois University Press, 2017
"Decolonizing Wikipedia through Activism and Activism: The Latina/o
Project" Theatre Topics (27.1).
"Keepin' it 100: Performing Recovery in Cleveland Public Theatre's
Theatre Topics (23.1).
"Money the Hard Way: Performing Rehabilitation at the Oklahoma State
Rodeo." Texas Theatre Journal (9).
"Autobiographical Memories, Museums, and Objectivity in Federico
León's Museo Miguel Ángel Boezzio." Public Theatre and Theatre Publics. Eds. Robert Shimko and Sara Freeman. Cambridge Scholars Press.
"Teatro de Carpas" Celebrating Latino Folklore: An Encyclopedia of
Cultural Traditions. Ed. Maria Herrera-Sobek. Greenwood Press, 2012.
"Los Reyes Magos." Celebrating Latino Folklore: An Encyclopedia of
Cultural Traditions. Ed. Maria Herrera-Sobek. Greenwood Press, 2012.
Review of Theatre of the Borderlands: Conflict, Violence and Healing
by Iani del Rosario
Moreno Latin American Theatre Review, Vol 50.1.
"Mapping Latino Theatre: Performing Latinidad Across the Americas"
December 2016, p. 21-24.
"Pedagogy Notebook: Creating Visibility and Empowerment for Latina/o
"Dreams of Resistance, Action, and Empowerment at ATHE 2014."
American Society for Theatre Research Executive Committee
Association for Theatre in Higher Focus Group Rep,
Latinx, Indigenous, and the Americas Focus Group
President, Board of Directors, Sleeping Weazel Theatre
Board of Directors, Company One Theatre.
Hideous Characters and Beautiful Pagans: Performing Jewish Identity
on the Antebellum
American Stage. University of Michigan Press, 2017
The Oxford Handbook of American Drama, assumed editorial
role after death of original editor, Jeffrey H. Richards; also
contributing author, Oxford University Press, 2017
"Nation and Ethnicity in American Performance and Theater," Oxford
Encyclopedia of Literature, 2017
"An Outbreak of Horror: The Gothic on the American Stage," in The
to the Gothic. Cambridge University Press, 2017
"Native Genius: Jewish Artists in the Antebellum American Theatre,"
in By Dawn's Early
Light: Jewish Contributions to American Culture. Princeton
"Representing Ethnic Identity on the Antebellum Stage, 1825-1861,"
in The Oxford
Handbook of American Drama. Oxford University Press.
"A Glorious Rising for Liberty: Slave Rebellions on the National
Stage," in the Cambridge
Companion to African American Theatre. Cambridge University Press.
"Worth a Thousand Words: In Search of the Right Image," for the
Festschrift in honor of
Phillip Lapsanky." Library Company of Philadelphia.
"'O my ducats, O my daughter: Seductions and Sentimental Conversions
of Jewish Female
Characters in the Early American Theatre," in Seduction and
Sentiment in the Atlantic World, 1600-1800. Palgrave Macmillan.
"Crooked Histories: Race, Federalism, and Re-presenting Alexander
on Hamilton," Journal of the Early Republic, 2017
"Behind the Book Stall: An Editors' and Publishers' Forum,"
"Review of the 2011 Omohundro Institute of Early American History
and Culture Annual
Conference," co-authored with Holly Brewer. Early American
Past President American Theatre and Drama Society
Past President American Society for Theatre Research
Chair Tufts University Department of Drama and Dance
trans., August Strindberg, The Ghost Sonata. Broadway Play
A Historical Dictionary of Russian Theatre, 2nd edition. Scarecrow
trans., Euripides, Crazed Women (The Bakkhai) Broadway Play
ed. and trans. (with Sergei Ostrovsky), Soviet Theater: A
Documentary History. Yale
trans., Jean Giraudoux, The Madwoman of Chaillot. Broadway Play
ed. and trans., Stanislavsky: A Life in Letters. Routledge.
trans., Evgeny Shvarts, The Dragon. Broadway Play Publishing.
"Odysseus in Academe," Theatre Survey 57.3, 383-85
"Offenbach, Wagner, Nietzsche: The Polemics of Opera," New Theatre
Quarterly (Feb. 2016):
"Brief Encounters: Mikhail Chekhov and Shakespeare," in
The Routledge Companion to
Michael Chekhov, Ed. Marie-Christine Autant-Mathieu and Yana Meerzon.
Routledge , pp.141-60.
"Lesbians, Please Leave the Stage!" Gay and Lesbian Review Worldwide
"The Opening Night of Vert-Vert." Jacques Offenbach Society
Newsletter 71, 17-23.
"How Ibsen Fared in Russian Culture and Politics" Ibsen Studies
"The Accidental Evolution of the Moscow Art Theatre Prague Group,"
Quarterly (May 2014): 1-14.
"For God, for Czar, and for Fatherland': Russians on the British
Stage from Napoleon to the
Great War," Russians in Britain, 1880-1940: From Melodrama to
Modernism. Eds. P. Bullock and R. Beasley. Oxford University Press,
"Sex, Death, Dickens and the Early American Musical," Popular
Entertainment Journal 4.2:
"The Offenbach Century," in The Art of Theatre, Ed. Claire Moran.
Peter Lang. pp. 15-42.
"Pictures in Stone: Lithographed Trade Cards and the American
Theatre," Journal of
American Drama and Theatre 25.2: 9-36.
"Craig in Moscow: Hamlet (1912)" in Hamlet Handbuch: Stoff –
Aneignungen - Deutungen,
Ed. Peter W. Marx. J. B. Metzler.
"On the Eve: The Theatre in Russia 1911-1912," 'Victory Over the
Sun'. The World's First
Futurist Opera. Eds. R. Bartlett and S. Dadswell. University of
Exeter Press, pp.136-52.
"Jews in Fashion at the Moscow Art Theatre," Jews and Theatre in an
Ed. Edna Nahshon. Brill, pp. 221-42.
"Laurence Senelick on the plays of Arthur Miller's middle phase,
experimentalism in the
theater, and (of course) Marilyn Monroe,"
Library of America.
"Russian enterprise, Bengali theatre and the machinations of the
East India Company," New
Theatre Quarterly 109: 20-29.