Graduate Program: Theatre and Performance Studies
Recent Faculty Publications & Service
Barbara Wallace Grossman
Funny Woman: The Life and Times of Fanny Brice, Southern
Illinois University Press, 2009.
A Spectacle of Suffering: Clara Morris on the American Stage,
Southern Illinois University Press, 1991.
"'Musical Theatre Directors," in The Oxford Handbook of the
American Musical, Eds. Raymond Knapp, Mitchell Morris, and
Stacy Wolf (New York: Oxford University Press, 2011), 281-293.
"The Lion King: A Blockbuster Feline on Broadway and
Beyond," The Disney Musical on Stage and Screen: Critical
Approaches from Snow White to Frozen, Ed. George Rodosthenous,
"Snakes on the Dance Floor: Bollywood, Gesture, and Gender" The
Velvet Light Trap, Vol. 77 (2016): 69-85.
"Aunty Fever: A Queer Impression" in Meanings and Makings of
Queer Dance, ed. Clare Croft (Oxford University Press, 2017):
"Terrifying Performances: Black-Brown-Queer Borrowings in Loins
of Punjab Presents" Journal of Asian American Studies, Vol.
19:3 (2016): 275-97.
"Cruising The Ephemeral Archives of Bangalore's Queer Nightlife"
for Queering Digital India: Activisms, Intimacies, and
Subjectivities edited by Rohit Dasgupta and Debanuj DasGupta
(Edinburgh University Press, 2018).
"Voguing in Bangalore: Blackness, Femininity, and Performance in
Globalized India," for Scholar and Feminist Online, Vol.
"Staging Transgender Solidarities at Bangalore's Queer Pride,"
Transgender Studies Quarterly, Vol. 1: 4 (2014): 517-22.
Memory, Transitional Justice, and Theatre in Argentina's
Post-Dictatorship. Southern Illinois University Press, 2017.
"The Heavy Lifting: Resisting the Obama Presidency's Neoliberalist
Conceptions of the American Dream in Kristoffer Diaz's The
Elaborate Entrance of Chad Deity" Theatre History Studies (37),
"Decolonizing Wikipedia through Activism and Activism: The Latina/o
Theatre Wikipedia Project" Theatre Topics (27.1), 2017
"Keepin' it 100: Performing Recovery in Cleveland Public Theatre's
Y-Haven Project" Theatre Topics (23.1) 2013.
Money the Hard Way: Performing Rehabilitation at the Oklahoma State
Penitentiary Rodeo. Texas Theatre Journal (9), 2013.
Hideous Characters and Beautiful Pagans: Performing Jewish
Identity on the Antebellum American Stage. University of
Michigan Press, 2017
The Oxford Handbook of American Drama, assumed editorial
role after death of original editor, Jeffrey H. Richards; also
contributing author, Oxford University Press, 2017
Early American Theatre from the Revolution to Thomas Jefferson.
Cambridge University Press, 2003.
Slavery and Sentiment on the American Stage, 1787-1861.
Cambridge University Press 2009.
"Native Genius: Jewish Artists in the Antebellum American Theatre,"
in By Dawn's Early Light: Jewish Contributions to American
Culture. Princeton University Press.
Jacques Offenbach and the Making of Modern Culture.
Cambridge University Press, 2017.
The Soviet Theater: A Documentary History. Yale University
Press, 2013. (Co-authored with Sergei Ostrovsky).
Stanislavski: A Life in Letters. Routledge, 2013.
The Changing Room: Sex Drag and Theatre. Routledge, 2000
The Chekhov Theatre: A Century of the Plays in Performance.
Cambridge University Press, 1997.